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Articles by Magnus Solberg
ADEM Extends Digital Experience Monitoring to Browser-based Voice and Video Calls
Beyond applications. Beyond browsing. Expanded Autonomous Digital Experience Management (ADEM) capabilities for every real-time voice and video conversation Enterprise real-time voice and video communication has shifted to the browser. For millions of contact center agents and knowledge workers, the browser is now the primary interface for business communication. UCaaS platforms like Dialpad, RingCentral, and Microsoft Teams offer browser clients alongside their desktop applications.
The Zone of Interest: Glazer sears the horrors of the Holocaust into your psyche in his masterpiece for the ages.
By Magnus Solberg, MA, Film and Television It is an uncommon sight for a film to dare explore the psyche of the Nazi, especially those Nazis who committed unspeakable crimes against humanity. Downfall (2004) and Operation Finale (2018) are mainstream examples of this, but neither could convey the terror felt in Jonathan Glazer’s newfound masterpiece The Zone of Interest (2023). It follows the daily lives of the Höss family, with its patriarch Rudolf Höss acting as the commandant of Auschwitz.
Maestro: Exuberance, style and Mulligan’s masterful performance makes this film a near masterpiece
Magnus Solberg, Fourth Year, MA Film and Television 'If the summer doesn’t sing in you then nothing sings in you. And if nothing sings in you, then you can’t make music.' On the morning of November 14, 1943, guest conductor Bruno Walter fell ill, making him unavailable to perform with the New York Philharmonic. This meant that the assistant conductor, without rehearsal or any preparation before the performance, would have to conduct on such short notice.
Napoleon: Inaccuracy and pacing notwithstanding, Ridley Scott has still got it
By Magnus Solberg, Fourth Year, Film and Television 'Excuse me, mate were you there? No? Well, shut the f*** up then'. When Ridley Scott said this regarding his new film Napoleon (2023), many began to fear for the film’s integrity. His apparent lack of concern for historical accuracy had fueled discourse among the historical and academic communities, with some claiming that a more accurate story would have led to a better story itself.
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