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Articles by Marie Pons
From company dancer to co-director to CODA: an interview with Stine Nilsen
Stine Nilsen, the new director at CODA Oslo International Dance Festival Sanjoy Roy 20 January 2020 Former co-director of Candoco (UK), Stine Nilsen returns to Norway as director of CODA Oslo International Dance Festival. She talks about past, present and future directions ‘I used to joke,’ says Stine Nilsen, looking back on her quarter-century in London, ‘that I would go back to Norway and become culture minister or something.
Dance+: La Joie de Vivre
Dance scene from Norodom Sihanouk’s 1969 Cambodian film, La Joie de Vivre. By Ka Bradley 14/04/19 The 1960s and early 1970s were a golden age for Cambodia’s film and music, a brief crackle of coruscating culture wedged between the 1953 declaration of independence from France and the genocidal Khmer Rouge regime of 1975–79. Spearheading the film industry was the king, Norodom Sihanouk, who made more than 50 films. One of his bubbly stand-outs was 1969’s La Joie de Vivre.
At work: Jesús Rubio Gamo
Alfredo Miralles 06 Apr 2019 ‘It was dance and music that saved me from loneliness.’ Spanish choreographer Jesús Rubio Gamo talks about the turning point that led to the creation of Gran Bolero (2019) You may also like... article From company dancer to co-director to CODA: an interview with Stine Nilsen Sanjoy Roy WATCH At work: Marie Cantenys Marie Pons WATCH At work: Bára Sigfúsdóttir Marie Pons WATCH At work: Meytal Blanaru Marie Pons
Trash aesthetic: Meet The Symptoms
What were the reactions to the piece back then? DSZ: After our first performance there was a fantastic immediate response: some members of the audience grabbed brooms and helped us clean our ‘props’, our waste, as we make a lot of mess during the show. RSZ: I have an even more powerful memory from the first revival performance at Móricz Zsigmond Square. There were two homeless people who genuinely scared us in the beginning.
At work: Marie Cantenys
By Marie Pons 13/02/19 ‘The garment is not the outcome, the outcome is everything together.’ Fashion designer Marie Cantenys talks about working with dancer Maya Jilan Dong
Taiwan Dance Platform 2018
Skip to content Zoltán Vakulya and Chen-Wei Lee in Together Alone. © National Kaohsiung Center for the Arts (Weiwuying) By Sanjoy Roy 29/01/19 The 2018 Taiwan Dance Platform was ‘made in Asia’, but even more international in scope I was refreshingly disorientated by the second Taiwan Dance Platform (4-11 November 2018).
Black and blue at Festival Les Plateaux
Ana Pi’s solo Noirblue plays on the concept of a ‘blue dance’ that speaks to ‘black dance’, danse noire. Dance performed by black dancers is historically the only form of dance that has an adjective stuck to it. Pi explains that in many cultures and languages there used to be no word for ‘blue’; when something cannot be named it doesn’t exist. On the other hand when the adjective ‘black’ is apposed to dance, the colour is made extra-visible.
‘Dreams’ | Springback Magazine
‘We are dancers, we create the dreams.’ Albert Einstein
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