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Articles by Marilyn Berman
Web Series: Ctrl Alt Del
A dark comedy that follows Carson (Gabrielle Christian), a freespirited girl in her late-twenties who lacks direction in her life. CTRL.ALT.DEL is a dark comedy that follows Carson (Gabrielle Christian), a freespirited girl in her late-twenties who lacks direction in her life. She has no job, no true ‘passion’ or calling, but she has a solid group of friends, an online Vlog she updates regularly, and a steady boyfriend – though he doesn’t quite understand her quarter-life crisis.
Advice To My Younger Self
Give more of your heart, less of your body. As a long-lived lesbian, I’m often surprised by the younger people around me. For the past seven months, I’ve been the oldest member (by decades) in my massage class, and I’ve appreciated the humor, high spirits, and technological finesse of men and women in their twenties.
The World According To Ferron
The Canadian folk singer dishes on not being defined by lesbianism and playing house with Bitch. Since she hit the women’s music scene in 1980, Ferron has been sharing her soulful, poetic songs with our community. Recently, she and Bitch collaborated on “Boulder,” a rich and textured album that helped introduce Ferron to a younger audience and helped to remind the rest of us why we’ve loved her for so long. Ferron speaks to us from her home in Three Rivers, Michigan.
Traveling The Two-Lane By Marilyn Berman
15 I wanted this author as a ‘friend’ but it’s too late. Recently I read a book by a long-lived lesbian that made me feel as if I’d made a new friend. Traveling the Two-Lane, by Marilyn Berman, is the best kind of travel memoir, one in which the author reveals as much about her inner journey as the landscape she’s passing through. At age 63, Marilyn Berman quit her job, rented out her home, said goodbye to her friends, and headed towards Alaska.
Film Review: Submerge
108 A homage to Generation Y and their apparent need to want it all, Submerge takes a look at the pressure that society, friends and family place upon us to succeed, and the high expectations we have of ourselves. The film has an interesting take on the sexual fluidity of a generation not wanting to label themselves as they look to explore, experience and discover who they really are.
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