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Abstract This is an examination of the underlying concepts and the formal characteristics of my photographic work. In my work, the repetition of formal elements, the visual meanings which emerge from the sequential interplay of the images, and my interest in visual problems related to depth and surface, are combined with a diaristic and existential viewpoint in the use of the camera and with an interest in photographing American material culture.
2019年09月27日 23時00分 メモ by Vernon Raineil Cenzon 2016年に行われた台湾の世論調査では、回答者の80％が自分を「台湾人」だと述べ、中国人だと述べたのは8.1％に過ぎませんでした。この結果は、1980年代から90年代に行われた世論調査の結果とは真逆であるとのこと。わずか20年余りの期間に急速にアイデンティティが変わったのはなぜなのか、作家でありアナリストのTanner Greer氏が分析を行っています。 The Scholar's Stage: Public Opinion in Authoritarian States http://scholars-stage.blogspot.com/2019/09/public-opinion-in-authoritarian-states.html...
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