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Articles by Mark Klett
New Thriller “Convergence of Evil” Explores the Shadows of 9/11 and the Boundaries Between Truth and Possibility
Virginia Beach, Virginia Sep 9, 2025 (Issuewire.com) - In a time when questions about truth, secrecy, and power dominate public discourse, Convergence of Evil by Mark N. Klett enters the national conversation as a bold and thought-provoking thriller that challenges readers to reconsider what they think they know. A decorated U.S. Navy veteran and defense contractor, Klett draws from a career in the military.
New Thriller "Convergence of Evil" a 9/11 Story
VIRGINIA BEACH, Va. - Sept. 9, 2025 - PRLog -- In a time when questions about truth, secrecy, and power dominate public discourse, Convergence of Evil by Mark N. Klett enters the national conversation as a bold and thought-provoking thriller that challenges readers to reconsider what they think they know. A decorated U.S. Navy veteran and defense contractor, Klett draws from a career in military leadership and systems engineering to shape a story that is equal parts compelling and cautionary.
Mark Klett
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Remember What Yosemite Looked Like Before The Shutdown? This Exhibit Revisits What Ansel Adams Saw
Visiting Yosemite in 1861, Carleton Watkins made a series of photographs so compelling that Abraham Lincoln signed a law protecting the valley for all time. Most of the views Watkins chose are now iconic, and many have been repeatedly rephotographed, either intentionally or inadvertently, by other artists such as Ansel Adams. Some are now snapped thousands of times each day, and dutifully uploaded to Instagram by tourists guided to overlooks where Watkins once stood.
photo-eye | Bookstore
Art Can Help: New and Selected Essays
Jungjin Lee's Primal Landscapes
An exhibition of photographs by Jungjin Lee, known for her captivating primal landscapes, will open tomorrow at Howard Greenberg Gallery. Entitled Opening, the exhibition is Lee’s second solo show with the gallery. Traveling to Arizona, New Mexico, and Canada, Lee made abstract images of the desert and the mountains.
Eugene Richards on The Run-On of Time
The essential photographer sheds light on the themes, stories, and images that have shaped his forty-five year career and his retrospective on view at the ICP Museum, Eugene Richards: The Run-On of Time. Richards will be joined in conversation by Nelson-Atkins Museum curator April Watson and ICP’s Susan Carlson. This is a free event, but please register in advance. ICP Members have access to preferred seating in our reserved members’ section.
A Bird's-Eye View of Louisiana's Disappearing Wetlands
Bayou’s End, an exhibition of photographs by Ben Depp, shows the rapidly changing landscape of Southern Louisiana from above. Louisiana’s wetlands are disappearing at the rate of a football field per hour, equaling one of the greatest environmental tragedies of our time. To capture the sublime beauty of this ecosytem, Depp rides a motor-powered paraglider, flying between 10 and 2,000 in the air for hours at a time.
A Portrait of An Eight-Person Town
The Priest’s Ravine by Marzena Skubatz is a portrait of one of the smallest communities in Iceland, Solbrekka, which is situated on Mjoifjordur, one of the most isolated fjords in the country. Skubatz has visited Solbrekka every year since 2012, when 18 people lived in the fjord. Now three families, totaling eight people, remain and the school has closed.
Gail Albert Halaban: Out My Window
Out My Window, a series by Gail Albert Halaban, is a penetrating exploration of modern community. After moving to New York from Los Angeles, Albert Halaban began the project in an effort to combat feelings of loneliness and isolation, using art as a way to connect with her neighbors. She’s continued the project in Paris, Buenos Aires, Venice and Istanbul. The first step of each photograph is to explain her work to potential participants and ask for their involvement.
The Sound of Space Breathing
Nowhere Far, the first monograph by Nicholas Hughes (b. 1963), covers a 15-year period and spans six separate series of abstract and ethereal landscapes. Hughes’s work is concerned with people’s current relationship to the landscape and the environment; his images examine the space between the world humans inhabit and that which nature claims as its own. Hughes’s photographic series focus on the changing patterns of nature, observed over several years in multiple locations.
Simon Roberts' Photos of Britain's Physical Landscape Illuminate its Psychological Landscape
Simon Roberts’ new book uses landscape photographs to consider the past decade of British political and cultural history. As the sardonic title, Merrie Albion, suggests, all is not well on the “small island” in Roberts’ images. His tableaux of political campaigns, parades, protests, festivals, celebrations, public markets and the like are drawn from previous projects. He uses extended captions to relate the images to both recent and historic events.
The Post-Apocalyptic Landscape of Detroit at Night
While Dave Jordano’s first book about Detroit, Michigan, highlights the resilience of Detroit’s citizens, his second book about the city in which he was born captures the city by night. The images in A Detroit Nocturne, published by powerHouse Books, are portraits of buildings and street scenes devoid of human beings. “The city’s wound-down vacancy and stillness, lit at night with ominous perspectives, reflects and almost post-apocalyptic tension-yet-calm,” states the press release.
Robert Adams's Lifelong Engagement with the Cottonwood Tree
Robert Adams has been photographing the shifting landscape of the American West for more than 50 years. The impact of human development on land has been his principal focus, as well as nature’s beauty – most notably the imperial qualities of trees. Trees have been a subject of lifelong engagement for Adams and no species has garnered more attention from the artist than the cottonwood.
Mark Klett and Byron Wolfe Cover a River’s Rebirth
In 1963, a dam was built on the Colorado River on the Arizona/Utah border, filling Glen Canyon behind it to create Lake Powell. That year, the Sierra Club published Eliot Porter’s book The Place No One Knew: Glen Canyon on the Colorado, which recorded the delicate play of color and light in parts of the deep sandstone canyon.
Grand Canyon Images Then and Now (PHOTOS).
Behold is Slate's brand-new photo blog. Like us on Facebook, and follow us on Twitter @beholdphotos and Tumblr. Learn what this space is all about here. Photographers Mark Klett and Byron Wolfe are fascinated by time’s imprint on natural wonders.
Fellowship 17 - Silver Eye Center for Photography
Silver Eye Center for Photography announces a Call for Entries for, our international photography competition. Now in its 17th year, this competition recognizes both rising talent and established photographers from all corners of the globe and from the state of Pennsylvania. All U.S. and international amateur and professional photographers, age 18 and older at the time of submission, may apply.
At centennial, National Park Service seeks a balance
See the national parks in a new way with ASU visual projects, research. Before she laid eyes on the spectacular Old Faithful geyser, Megha Budruk sought out a specific area far from the throng of tourists when she first visited Yellowstone National Park in Montana. At that quiet, lonely junction of two rivers in 1870, a group of explorers was struck by the insight that the stunning landscape around them should be preserved forever. Decades later, on Aug.
How Photography Won the West
The rise of America's national parks is interwined with the advent of popular photography. In a 19th-century world devoid of motorized transportation, the only vehicle to the country’s natural treasures was through a photographer's lens. The portraits brought the openness of the western frontier to the East Coast tenements, sparking the public's desire to preserve the American wilderness. Jamie Allen chronicles this age-old relationship in his new book, Picturing America’s National Parks.
8 Artworks That Prove Just How Beautiful and Inspiring the National Parks Really Are
Talk about suffering for art. Philadelphia painter Thomas Moran had barely sat in a saddle in his life. But here he was, urging a mule over the Rockies, on assignment from the U.S. Geological Survey to capture on canvas the rumored wonders of Yellowstone.Moran’s journey in the summer of 1871 was a triumph. He painted hot springs, he painted geysers, he painted The Grand Canyon of the Yellowstone, one of the masterpieces of American landscape art.
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