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Rocket Ahuna has established a fashion career defined by bold pivots and an unshakeable belief in the beauty of his own voice. | By Courtesy of Nani Welch-Kealiihoomalu By Marley B. McIntyre, Contributing Writer “If you are Kanaka, whatever you make is Kanaka art,” said fashion designer Rocket Ahuna in an interview with The Crimson. Dedication to artistic excellence takes a rare kind of courage, but Kanaka Maoli — or Native Hawaiian — Ahuna has never played it safe.
By Marley B. McIntyre, Contributing Writer How do you make an audience laugh — and even root — for the men actively dismantling a democracy? For director Martin McDonagh, you strand them on one of the most remote islands on earth and let them bicker. Swapping out the cobblestone purgatory of “In Bruges” and the melancholic sprawl of “The Banshees of Inisherin,” McDonagh continues his career-long fascination with emotionally constipated, codependent men barreling toward moral reckoning.
David Fincher’s 2010 modern classic, “The Social Network,” birthed a modern myth: the arrogant, anti-social prodigy whose genius justified his cruelty. For over a decade, Hollywood has worked within this framework, casting the tech founder as a misunderstood antihero whose conceit is an inevitable price for progress. By 2026, this myth has dissolved.
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