The Case Histories, a psychoanalytically informed exploration of the mind in art, began in 2012. Each month a different subject would correspond with me daily, forming the basis of my time-based drawing practice. I deployed the compositional structure of the calendar to convey the passage of time. Given the centrality of narrative in the understanding of mind, I decided to experiment with a combination of text and imagery to tell the story that unfolded each month.
