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Articles by Matthew Magill
‘Telephone Voices’ Winner: ‘ghosts’
by Matthew Magill “We’re creating art at a unique point in our history” I was an avid reader as a child, to the point of concern. I always had my head buried in a book. To that end, I’ve always been a writer. It was a natural gateway. I would write short stories from as young as four and pour out poems as a teen. Writing is a tonic for me. It’s spiritual practice and self-inquiry. It’s rehabilitation. It’s connection. It’s call and response; a battle cry.
Optimizing Antenna Selection for Near-Human-Body Systems
Members can download this article in PDF format. What you’ll learn: How wireless systems operate close to the human body. Antenna selection issues. Factors to consider when choosing an antenna. In the world of electromagnetics, we can’t do wireless without antennas, which work brilliantly when mounted away from objects and suspended in free space. Their efficiency is generally only limited to copper and substrate losses, with radiation efficiencies of 90%+ possible.
Fora Bolsonaro: The Death of the Amazon
by Matthew Magill Protestors outside of the Brazilian Embassy in London (Image: Matthew Magill, 2022) On the 4th of April, a crowd gathered outside the Embassy of Brazil in London to protest against the continued illegal mining of the Amazon and its effect on indigenous people. Although an ongoing issue, the debate has been amplified by president Bolsonaro's recent proposal to legalise mining the rainforest. That proposal in question is known as PL 191 and is at the heart of much of this debate.
Management of low periprosthetic distal femoral fractures
The Bone & Joint JournalVol. 103-B, No. 4 Knee plate fixation versus distal femoral endoprosthesis Lauren A. Ross, Oisin J. F. Keenan, Matthew Magill, Caitlin M. Brennan, Nick D. Clement, Matt Moran, James T. Patton, Chloe E. H. Scott Abstract Aims Debate continues regarding the optimum management of periprosthetic distal femoral fractures (PDFFs).
The World Transformed: Organising The Arts Sector
by Matthew Magill “Artists don’t become artists for the genre of art they’re in, [or] because they want to produce art for somebody else.
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