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A A A Transcriptions of large scale works for piano or small ensembles were a common way of bringing music into private homes in the pre-phonograph age. In most cases they are now anachronistic, but a well-made reduction of orchestral music can reveal details that enlighten the curious listener, as if an x-ray were exposing the bones of the score. Case in point, Sally Beamish’s reduction of Debussy’s great orchestral work La Mer for violin, cello, and piano.
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