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Articles by Nicole Brenez
Los derechos de los animales
IdiomacatalàDeutschEnglishespañoleuskarafrançaisgalegoitalianoportuguêsromână
State of Cinema 2021
In Passage, Sabzian invites film critics, authors, filmmakers and spectators to send a text or fragment on cinema that left a lasting impression. Pour Passage, Sabzian demande à des critiques de cinéma, auteurs, cinéastes et spectateurs un texte ou un fragment qui les a marqués. In Passage vraagt Sabzian filmcritici, auteurs, filmmakers en toeschouwers naar een tekst of een fragment dat ooit een blijvende indruk op hen achterliet. The Prisma section is a series of short reflections on cinema.
Nuestra condición nuclear
IdiomacatalàDeutschEnglishespañoleuskarafrançaisgalegoitalianoportuguêsromână
Heart Instinct Principles (Materials for Marcel Hanoun)
The man in the bird rests on an axis slightly higher than his centre of gravity. – Leonardo da Vinci, Flying Machine The present from which I write strikes me as being so doomed to oblivion that, purely from a spirit of contradiction, one must preserve a trace of its obsolescence: it is a time in which Marcel Hanoun’s œuvre lies scattered, his celluloid films partly lost, inaccessible or in a poor state, his video essays rarely screened and seldom talked about.
Ecocido: el bosque
Ayuda Buscar en la ayuda Buscar en la ayuda
France Against the Robots (2020, 10 min.) | Nicole Brenez
January 5, 1945. In Brazil, Georges Bernanos, a fighter of words against the Vichy regime, wrote La France contre les robots, published in 1946 by “Edition France Libre” with this copyright: “by Comité Central de la France Libre au Brésil.” France: a country that owes the world a Revolution in line with that of 1789 and the Paris Commune; robots: industrial machines whose reign is at work in all political-economic regimes (Nazi, Fascist, capitalist, democratic, Communist).
Le Carnet d’image
IdiomacatalàDeutschEnglishespañoleuskarafrançaisgalegoitalianoportuguêsromână
Sur la terre / Au fond du cœur
Sur la terre. À la même heure, dans toutes les villes du monde, la foule qui sort des cinémas, qui se répand dans les rues comme un sang noir, qui, comme une bête puissante, allonge ses mille tentacules, et d’un tout petit effort écrase les palais, les prisons. Au fond du cœur. Regardez les générations nouvelles pousser soudainement comme des fleurs. Révolution. Jeunesse du monde. Aujourd’hui. Blaise Cendrars, L’ABC du Cinéma, 1921 ∗∗ ∗ On the Earth.
State of Cinema 2021
In Passage, Sabzian invites film critics, authors, filmmakers and spectators to send a text or fragment on cinema that left a lasting impression. Pour Passage, Sabzian demande à des critiques de cinéma, auteurs, cinéastes et spectateurs un texte ou un fragment qui les a marqués. In Passage vraagt Sabzian filmcritici, auteurs, filmmakers en toeschouwers naar een tekst of een fragment dat ooit een blijvende indruk op hen achterliet. The Prisma section is a series of short reflections on cinema.
Jocelyne Saab: history’s witness | Sight & Sound
Reporter, photographer, scriptwriter, producer, director, artist and founder of the Cultural Resistance International Film Festival of Lebanon, Jocelyne Saab has placed her entire artistic career at the service of the deprived and disadvantaged – from displaced peoples to exiled fighters, cities at war and a Fourth World without a voice. Her work is grounded in historic violence, and in an awareness of the actions and images required to document, reflect on and counteract it.
C'EST TOUJOURS TRISTE, LA MORT D'UN LETTRISTE
Avec la disparition de l’immense Maurice Lemaître, né Moïse Bismuth en 1926, fils d’un employé tunisien juif et d’une brodeuse française catholique, se tourne l’une des pages les plus riches de l’histoire des arts.
The 100 Greatest Films of All Time | Sight & Sound
Credit: Kobal Collection 1. Vertigo Alfred Hitchcock, USA 1958 A former detective with a fear of heights is hired to follow a woman apparently possessed by the past, in Alfred Hitchcock’s timeless thriller about obsession. Hitchcock’s supreme and most mysterious piece (as cinema and as an emblem of the art). Paranoia and obsession have never looked better. — Marco Müller After half a century of monopolising the top spot, Citizen Kane was beginning to look smugly inviolable.
Mimesis 2 | Nicole Brenez
Article EN 15.12.2021 Mimesis 2 Correspondence Between Jonas Mekas and José Luis Guérin In 1548, a young Portuguese architect and illuminator, Francisco de Holanda, finished writing up four dialogues with Michelangelo. These were the first texts reproducing the conversations between two living western artists, even if we aren’t sure they actually took place in 1538, when Francisco was staying in Rome and met “Maestro Michel”, an event which is indeed attested.
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