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By combining body horror and existentialism, Ridley Scott's Alien prequel shows more imagination than most contemporary studio films. W ith a single exception, each entry in the Alien franchise boasts the signature of a pop auteur applying his idiosyncratic sensibility to an ever-expanding mythology.
ith a single exception, each entry in the Alien franchise boasts the signature of a pop auteur applying his idiosyncratic sensibility to an ever-expanding mythology. In Alien (1979), Ridley Scott pitted a lone monster against Howard Hawksian blue collars in a weathered mining ship, while James Cameron militarized the battle and multiplied the star beasts for the sequel, Aliens (1986).
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