Phaedrus Chi’s Journalist Portfolio
View as a grid40 years ago, this great director left his homeland that had censored him his entire life
Fiume O Morte! (2025): Historical Reappearance under the Power of Media
"The Drama"(2026): The Shock Caused by an Attempted School Shooting
'Marty Supreme(2025)': The Despicable American Dream Under Machiavellianism
'There's still tomorrow (2023)':violence, dancing, intergenerational inheritance
'Girl'(2025):How should girls in difficult situations grow up?
'Grand Tour (2024)': The power dislocation of language and the reality and illusion of images
Solutions to the 2025 Korean Film Crisis: Intertextuality and Implications of 1970s Korean Cinema
'The Brutalist (2024)': This Oscar-nominated film shattered the American dream
'One Battle After Another'(2025):Standing at the center of division, calling for love
'Angelo in 1948 (2024)': Diary, Silence and the Chattering Father
'Sally's Memories (2024)': Can misplaced language translate true emotions?
'All the Long Nights (2024)' : The healing masterpiece of the year
'Father Mother Sister Brother'(2025):a three-part narrative to coldly dissect alienation
'The Room Next Door (2024)' : Almodóvar's Golden Lion Winner
'This is not Me (2024)' : Deconstructing Leos Carax
Shanghai Film Critics Society Salon Discussion about summer film season
Personal Interview |Phaedrus: When a tech guy falls in love with movies
'Together'(2025):A real couple performs a love horror movie
‘Colours of Time’(2025)Review:Every frame is breathtakingly beautiful
After 12 years, Lou Ye continues to thrive in Cannes
'The Seed of the Sacred Fig (2024)' :Theocracy-Publicity-Patriarchy
'Broken Rage (2024)': A playful work by Takeshi Kitano
Overview of the 30th Busan International Film Festival