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ABSTRACT This article focuses on the representation of Australian Aboriginal languages in fictional television series, using ‘textual tracing’ to analyse their treatment across screenplays/scripts, dialogue, English subtitles/closed captions, and post-production scripts. The data consists of recent ‘mainstream’ series that cater to mixed audiences on Australian public broadcasters (ABC, SBS).
I fear growing numb to life. I fear drifting through each day as if the minor events that fill the hours are inconsequential. Fear and sadness fill the cracks between joy and bliss. It helps us mend the fractures. Mum taught me that. Mum and I are both only children. She was a botanist who mostly worked in the field, so we travelled around a lot. Me, her, and my Red Setter Benji.
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