What does it mean to be a journalist?
To give a new perspective on a topical subject
What's the funniest news-related #hashtag you've seen?
The
How do you prefer to be pitched on stories?
I prefer to be pitched on stories in a clear and concise manner, with a focus on the film’s unique elements—whether it’s its narrative, artistic approach, or cultural significance. I appreciate receiving relevant information that highlights what sets the story apart, especially when it aligns with independent or auteur cinema. A well-crafted pitch that provides context about the filmmaker’s vision and the story's potential impact on audiences is always ideal. I also value pitches that acknowledge the type of films I typically cover and the themes I am passionate about, such as originality and innovation in filmmaking.
What's your favorite social network?
Tiktok
Who do you wish followed you?
I would love for influential film critics such as Jonathan Rosenbaum, Amy Taubin, and David Thomson to follow me. Their expertise in auteur cinema, their deep dives into film history, and their unique voices in criticism have always been an inspiration. Jonathan Rosenbaum’s work on independent and international cinema, particularly his focus on films outside the mainstream, aligns with my own passion for highlighting lesser-known but artistically significant works. Amy Taubin’s sharp and incisive commentary on film form and style is something I deeply respect, and David Thomson’s ability to weave film history with cultural analysis offers a rich perspective that I strive to bring to my own writing. Their work pushes me to think critically about cinema and to continue evolving as a film critic.
What story are you most proud of writing or working on?
I’m most proud of my coverage of the Cannes Film Festival in 2021. It was a significant milestone in my career, as I had the chance to be part of the dynamic environment at the festival, engaging with a diverse range of films and filmmakers. Writing about the films presented that year allowed me to explore unique storytelling and cinematic innovation, and I was able to highlight films that truly pushed the boundaries of cinema. The experience of being at Cannes, analyzing films from various perspectives, and contributing to the conversation around such an important event was incredibly rewarding for me as a critic.
What advice can you offer to aspiring journalists?
My advice to aspiring journalists would be to always stay curious and passionate about the stories you want to tell. In film criticism, it's crucial to approach every film with an open mind, and to develop your own unique voice while also being willing to learn from others. Focus on honing your skills in writing and analysis—being able to articulate your thoughts clearly and with purpose is key.It’s also important to engage with a wide range of films, especially independent and lesser-known works, as they often provide the most interesting material to critique. Don’t be afraid to challenge conventional narratives and embrace the films that are innovative, experimental, or culturally significant.Networking is essential, too. Connect with other critics, filmmakers, and festival organizers. Attend events, volunteer at festivals, and immerse yourself in the industry. The more you contribute and build your presence, the more opportunities will come your way. Most importantly, be patient—journalism, like filmmaking, is a craft that takes time to develop.
When's the best time to pitch you?
The best time to pitch me is typically in the lead-up to major film festivals or during the release period of independent films. I’m especially receptive to pitches when I’m preparing for festival coverage or looking into fresh releases that align with my focus on innovative and auteur-driven cinema. Early pitches give me enough time to explore the story, research the filmmaker, and assess its relevance to my audience. However, I’m always open to receiving pitches throughout the year, as long as they tie into my areas of interest—namely independent, artistic, and culturally significant films.
What's your favorite drink?
baileys
Aside from your own, what's your favorite publication to read?
variety's
What's the most common misperception about your beat?
The most common misperception about my beat is that it's all about covering only obscure or niche films. While I do focus on independent and auteur cinema, it’s not about exclusivity or complexity for the sake of it. It’s about recognizing the artistry and authenticity in films that often get overlooked in mainstream media. Many believe that these films lack mass appeal, but in reality, they often offer deeper cultural and narrative insights that are incredibly relevant and impactful. It’s about celebrating the unique and innovative voices in filmmaking, regardless of their visibility in the commercial landscape.
