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Tras la primera colección de Adrian Appiolaza, en febrero del año pasado, la redactora jefa de moda de S Moda recibió un mensaje de WhatsApp de Juan Vidal, el diseñador español: “Esto, al fin, sí que es Moschino”, decía.
This imitation, he says, was an attempt to find himself, on screen and off. Perhaps it is too convenient, in retrospect, to wonder if we – cinema-goers and writers of profile pieces – were attempting to fit Mr Slater’s real, unscripted life into the narratives acted out by his characters. Perhaps Mr Slater himself was a little too deep in the role that Hollywood had established for him, and continued to play it even when he was off-camera.
As an artist, how does your Italian heritage inspire you? I feel that to be Italian – and in a larger sense, to be European – is to be constantly surrounded by an immense history of art. It’s around every corner; it’s everywhere you look. It was intimidating in the beginning, because you naturally compare your work with all of these perfect paintings by these big Italian maestros.
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