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Articles by Tillo Huygelen
19 December, 2025
In Passage, Sabzian invites film critics, authors, filmmakers and spectators to send a text or fragment on cinema that left a lasting impression. Pour Passage, Sabzian demande à des critiques de cinéma, auteurs, cinéastes et spectateurs un texte ou un fragment qui les a marqués. In Passage vraagt Sabzian filmcritici, auteurs, filmmakers en toeschouwers naar een tekst of een fragment dat ooit een blijvende indruk op hen achterliet. The Prisma section is a series of short reflections on cinema.
A Cruel Dance, Tillo Huygelen, 2025
In Passage, Sabzian invites film critics, authors, filmmakers and spectators to send a text or fragment on cinema that left a lasting impression. Pour Passage, Sabzian demande à des critiques de cinéma, auteurs, cinéastes et spectateurs un texte ou un fragment qui les a marqués. In Passage vraagt Sabzian filmcritici, auteurs, filmmakers en toeschouwers naar een tekst of een fragment dat ooit een blijvende indruk op hen achterliet. The Prisma section is a series of short reflections on cinema.
André Bazin, Television Critic
An Interview with Jean Renoir and Roberto Rossellini Television is still rather frowned on – particularly by the intellectuals. How did you come to it? Renoir: Through being immensely bored by a great number of contemporary films, and being less bored by certain television programs. I ought to say that the television shows I’ve found most exciting have been certain interviews on American TV. I feel that the interview gives the television close-up a meaning that is rarely achieved in the cinema.
Can a Clown Really Make a Difference?
https://www.sabzian.be/text/can-a-clown-really-make-a-difference-0 Nathan Fielder’s The Rehearsal At the end of April, the first episode of the second season of The Rehearsal was released, a television series by Canadian comedian, actor and filmmaker Nathan Fielder, also known for Nathan for You and, more recently, The Curse, which he co-wrote with Benny Safdie.
Johan van der Keuken, a Writing Filmmaker
In Passage, Sabzian invites film critics, authors, filmmakers and spectators to send a text or fragment on cinema that left a lasting impression. Pour Passage, Sabzian demande à des critiques de cinéma, auteurs, cinéastes et spectateurs un texte ou un fragment qui les a marqués. In Passage vraagt Sabzian filmcritici, auteurs, filmmakers en toeschouwers naar een tekst of een fragment dat ooit een blijvende indruk op hen achterliet. The Prisma section is a series of short reflections on cinema.
Bio-Filmography of Chantal Akerman
In Passage, Sabzian invites film critics, authors, filmmakers and spectators to send a text or fragment on cinema that left a lasting impression. Pour Passage, Sabzian demande à des critiques de cinéma, auteurs, cinéastes et spectateurs un texte ou un fragment qui les a marqués. In Passage vraagt Sabzian filmcritici, auteurs, filmmakers en toeschouwers naar een tekst of een fragment dat ooit een blijvende indruk op hen achterliet. The Prisma section is a series of short reflections on cinema.
March 24, 2024, Tillo Huygelen, 2024
In Passage, Sabzian invites film critics, authors, filmmakers and spectators to send a text or fragment on cinema that left a lasting impression. Pour Passage, Sabzian demande à des critiques de cinéma, auteurs, cinéastes et spectateurs un texte ou un fragment qui les a marqués. In Passage vraagt Sabzian filmcritici, auteurs, filmmakers en toeschouwers naar een tekst of een fragment dat ooit een blijvende indruk op hen achterliet. The Prisma section is a series of short reflections on cinema.
Out of the Frame | Gerard-Jan Claes, Tillo Huygelen
Article NL EN 10.05.2023 Out of the Frame On Soy libre (Laure Portier, 2021) ...man’s unceasing search for something he can never find. – John Ford Soy libre is Laure Porter’s account of her younger brother’s search of more than a decade. Driven by inner turmoil and determined to leave his miserable past behind, Arnaud pursues a free life, a quest that takes him from France to Spain and eventually to South America. Arnaud had a turbulent youth, a mess of shelters, halfway houses and absent parents.
Bazin, Television Critic
In Passage, Sabzian invites film critics, authors, filmmakers and spectators to send a text or fragment on cinema that left a lasting impression. Pour Passage, Sabzian demande à des critiques de cinéma, auteurs, cinéastes et spectateurs un texte ou un fragment qui les a marqués. In Passage vraagt Sabzian filmcritici, auteurs, filmmakers en toeschouwers naar een tekst of een fragment dat ooit een blijvende indruk op hen achterliet. The Prisma section is a series of short reflections on cinema.
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