Anabel Gullo

The Magnum photographer’s latest body of work, currently on view at the Leica Store & Gallery, is a striking signature snapshot of eight days in Naples Eight days is not long enough to capture the true character of a city, let alone scratch the surface, but if there’s one photographer that can rise to this challenge, it’s Bruce Gilden.

Fueled by gasoline and a guerrilla spirit, the roving arts exhibition space is challenging traditional modes of display Almost exactly a year ago, an inconspicuous U-Haul truck parked outside the Metropolitan Museum of Art. In lieu of cardboard boxes and furniture bound in stretch wrap, the truck’s cargo was an assemblage of contraband objects taken from various workplaces.

In ‘Melanie and the Miners’ Strike,’ artist Victoria Gill reframes cultural memory with her mother’s glam snapshots of the 1980s in Northern England It’s a Friday night in 1984. Melanie is 18, with a fresh perm. After a long week of work, she and her neon-clad girlfriends are getting ready to head out to the local club for a night of dancing, drinking, and flirting. Without thinking anything of it, her best friend, Jane, snaps a photograph of her with a random camera.