dFor decades queer artists have been pushing the boundaries of genre expectations — bending, breaking and serving them back to us as new ways to read and speak to queer narratives. With Jane Schoenbrun’s films, it feels like we’ve entered a new era. One where the lens isn’t a reconfiguring of genre, but rather genre stripped of any pretence about the reality of our campy, queer world. Teenage Sex and Death at Camp Miasma is slasher horror down to its last breath.
