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Back in a 1974 review of the Bond-like Cleopatra Jones movie starring Tamara Dobson, Feminist and former Ms. Magazine editor Margaret Sloan spoke volumes about Black female spectatorial desire. Damn, that felt good she wrote. After viewing The Woman King, we know exactly what she meant. Cleopatra, a beautiful, kick-ass Black woman empowered by the U.S. government but grounded in her commitment to the Black community, was a Black Power era fantasy character.
By: Dr. Stephane Dunn and Dr. Beverly Guy-Sheftal | Chicago Defender Back in a 1974 review of the Bond-like Cleopatra Jones movie starring Tamara Dobson, Feminist and former Ms. Magazine editor Margaret Sloan spoke volumes about Black female spectatorial desire. Damn, that felt good she wrote. After viewing The Woman King, we know exactly what she meant.
By Dr. Stephane Dunn and Dr. Beverly Guy-Sheftal, Chicago Defender Back in a 1974 review of the Bond-like Cleopatra Jones movie starring Tamara Dobson, Feminist and former Ms. Magazine editor Margaret Sloan spoke volumes about Black female spectatorial desire. Damn, that felt good she wrote. After viewing The Woman King, we know exactly what she meant.
Back in a 1974 review of the Bond-like Cleopatra Jones movie starring Tamara Dobson, Feminist and former Ms. Magazine editor Margaret Sloan spoke volumes about Black female spectatorial desire. Damn, that felt good she wrote. After viewing The Woman King, we know exactly what she meant. Cleopatra, a beautiful, kick-ass Black woman empowered by the U.S. government but grounded in her commitment to the Black community, was a Black Power era fantasy character.
By: Dr. Stephane Dunn and Dr. Beverly Guy-Sheftal | Chicago Defender Back in a 1974 review of the Bond-like Cleopatra Jones movie starring Tamara Dobson, Feminist and former Ms. Magazine editor Margaret Sloan spoke volumes about Black female spectatorial desire. Damn, that felt good she wrote. After viewing The Woman King, we know exactly what she meant.
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