Tanner Adell is sitting cross-legged on the floor of a Manhattan photo studio in front of a large mirror, grabbing makeup from the Saint Louis Goyard bag open beside her. She blends her foundation carefully, attempting not to smudge any on her Metallica T-shirt, before turning to the day’s crew and clarifying, “I’m not wearing this.” Her manager points toward a nude bralette adorned with silver chains and dangling crystals.