When Beef returned for its second season, it brought with it a new cast, new conflicts, and a fundamentally different kind of chaos, one that simmers rather than erupts. At the center of that transformation is a sonic world meticulously crafted by Supervising Sound Editor Christopher Gomez, Re-Recording Mixer Andrew Lange, and Sound Effects Mixer Andy Martin, whose work quietly shapes every uncomfortable silence, every muffled crowd, every heartbeat-steady score transition.