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Carly Gordon on Muck Rack

Carly Gordon

  • Special Assistant to the President/CEO, Guitars Over Guns
Miami
As seen in: Patch, Dialnet - Universidad de La Rioja, The McGill Daily
Covers:  Classical music and opera as they intersect with feminism and social justice movements
I play oboe & write words. 💼 arts admin // ✏️ copywriting // opinions my own ♠ she/her

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Carly Gordon’s Journalist Portfolio

All too rare: Hannigan takes the podium with the Cleveland Orchestra

All too rare: Hannigan takes the podium with the Cleveland Orchestra

Hannigan's well received turn at the podium, met by an immediate and unanimous standing ovation, should serve…

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PBO does overdue justice to Don Giovanni

PBO does overdue justice to Don Giovanni

In her program note, McIntyre wrote that Don Giovanni is an opera "replete with grey areas, starting with Gio…

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Appropriately strange: Frida at FGO

Appropriately strange: Frida at FGO

Frida Kahlo was Mexican, an artist, a woman, disabled, queer, Communist. Though the pacing of the opera was c…

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Articles

Promotion of Student Success and Positive Chemistry Course Perception through Frequent Metacognitive Reporting

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By Michelle Richards-Babb, Carly Gordon, David Mersing, Trina M. Perrone
| Dialnet - Universidad de La Rioja
Ayuda Buscar en la ayuda Buscar en la ayuda Promotion of Student Success and Positive Chemistry Course Perception through Frequent Metacognitive Reporting Michelle Richards-Babb [1] ; Carly Gordon [1] ; David Mersing [1] ; Trina Perrone [1] ; Betsy Ratcliff [1] [1] West Virginia University, United States Localización: Journal of chemical education, ISSN 0021-9584, Vol. 102, Nº 1, 2025, págs.
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Suggested Listening: “Berceuse” by Armas Järnefelt

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By Carly Gordon
A heartfelt cello lullaby serves as a “musical get-well card” for the daughter of a forgotten Finnish composer. Composer: Armas Järnefelt (1869-1958) Performer: Seppo Laamanen, cello; Jouni Somero, piano About the Composer: NPR’s Deceptive Cadence blog profiled today’s protagonist in their “Classical Lost and Found” feature — and “lost and found” indeed is an apt description for Armas Järnefelt (1869-1958).
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Movers, Shakers, and Music-Makers: A human requiem

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By Carly Gordon
This is the second in a series of posts about the intersection of music and society, in support of The Dream Unfinished: A Symphonic Benefit for Civil Rights. Last week, we learned about Karim Wasfi, the cellist and Iraqi National Symphony director whose impromptu performances at Baghdad bombsites bring beauty and equilibrium to a war-torn community.
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