Catey Sullivan on Muck Rack

Catey Sullivan

Berwyn, Chicago
As seen in: Chicago Reader, Chicago Sun-Times, Chicago Tribune, Evanston Review, Glencoe News, Norridge-Harwood Heights News, Skokie Review, Wilmette Life, Winnetka Talk, Flipboard, La Voz Chicago, Playbill and
I have spent the past 35 years writing for many publications about theater and municipal politics. On occasion, they converge.
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Articles

An unfrozen caveman, a Broadway star, Eugene O’Neill, and Frankenstein come together in Iceboy!

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By Catey Sullivan
| Chicago Reader Verified
The world premiere of Iceboy! Or, the Completely Untrue Story of How Eugene O’Neill Came to Write The Iceman Cometh arrives at the Goodman Theatre with deep Chicago roots and on a surging tide of buzzy anticipation. Tony-winning composer Mark Hollmann (Urinetown: The Musical) and stars Megan Mullally and Nick Offerman spent their early careers in Chicago before gaining national attention.
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A Little Night Music lacks magic at Marriott

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By Catey Sullivan
| Chicago Reader Verified
Like all of Stephen Sondheim’s musicals, 1973’s A Little Night Music (based on Ingmar Bergman’s 1955 film, Smiles of a Summer Night) lives and dies on the strength of its verbiage. Sondheim’s furiously fast-flying lyrics and Hugh Wheeler’s book are utterly crucial in depicting the panoply of layered, fascinating characters and the tangled, beautiful tale they weave. Alas, great swathes of that tale’s words are lost in Marriott Theatre’s somewhat serviceable production of the musical.
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Going Bacharach focuses on the music rather than biography

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By Catey Sullivan
| Chicago Reader Verified
It’s amazing how many Burt Bacharach songs you don’t know you know. “I’ll Never Fall in Love Again,” “Raindrops Keep Fallin’ on My Head,” “What the World Needs Now,” “(They Long to Be) Close to You, ”That’s What Friends Are For”—the hits keep coming in Going Bacharach, a tribute musical revue featuring the songs of one of the 20th century’s most influential composers.
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