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Articles by Chris Ofili
Carroll Dunham and Chris Ofili on the Pleasure of Disappearing
Carroll Dunham, photographed by Laurie Simmons. Earlier this summer, Carroll Dunham and Chris Ofili bumped into each other in the foyer of the Whitney and found themselves in a conversation more intimate and generative than either expected. A few weeks later, they decided to pick up right where they left off, and were surprised anew to find there was still plenty left to discuss.
Carroll Dunham and Chris Ofili on the Pleasure of Disappearing
Carroll Dunham, photographed by Laurie Simmons. Earlier this summer, Carroll Dunham and Chris Ofili bumped into each other in the foyer of the Whitney and found themselves in a conversation more intimate and generative than either expected. A few weeks later, they decided to pick up right where they left off, and were surprised anew to find there was still plenty left to discuss.
Chris Ofili - Chris Ofili, Afternoon with La Soufrière - Contemporary Art, Signed Print
Chris Ofili - Untitled, 2000, Signed Aquatint and Drypoint Etching, British Art By Chris Ofili Located in Hamburg, DE Chris Ofili (British, b. 1968) Untitled, 2000 Medium: Etching, aquatint and drypoint printed in red, on Hahnemühle wove paper Dimensions: 25.7 × 20.8 cm (10 1/10 × 8 1/5 in) Edition ... Category 21st Century and Contemporary Contemporary Portrait Prints Materials Drypoint, Etching, Aquatint
Signed First Edition - Greek Myths: A New Retelling - Charlotte Higgins; Chris Ofili;
Foyles Notes Signed First Edition Synopsis In this spellbinding new collection, Charlotte Higgins reinterprets some of the most enduring stories of all time. Here are myths of the creation, of Heracles and Theseus and Perseus, the Trojan war and its origins and aftermaths, tales of Thebes and Argos and Athens.
Greek Myths: A New Retelling by Charlotte Higgins
You are browsing: Home Blog Greek Myths: A New Retelling by Charlotte Higgins 8th September 2021 Intro Arachne Arachne wasn’t descended from the gods; she wasn’t even royal. Her father, Idmon of Colophon, was a dyer. His work was to harvest thousands upon thousands of seasnails from the shores of Phocaea. He’d crush their spiny shells, steep them in salt water for days, then boil up the liquor. Then, he’d dip fleeces into the vats.
Chris Ofili on Philip Guston’s City Limits, 1969
Chris Ofili on Philip Guston’s City Limits, 1969 Philip Guston, City Limits, 1969, oil on canvas, 77 × 103 1/4". © The Estate of Philip Guston. FOR MANY YEARS, what bothered me most about Philip Guston’s City Limits, 1969, was that the red brush marks to the bottom right just stop. My eyes would trace the strokes using my mental hog-hair brush, and my enjoyment in imagining making those marks would halt with all the excitement still flowing freely, partnered by intermittent pangs of frustration.
January/February 2021
Five contributors consider Guston’s oeuvre Dan Nadel on Philip Guston’s Jewishness Sarah K. Rich on Philip Guston’s Untitled, 1964 Robert Slifkin on Philip Guston and white privilege Chris Ofili on Philip Guston’s City Limits, 1969 Step and Screw: Stock Photo Exchange, 2020 Jasmine Sanders on the Black Romantic Suzanne Hudson on the art of Deborah Remington David Velasco Hari Nef on the art of Nash Glynn Barry Schwabsky
NYT Defends Not Printing Hebdo Cover, Loved ‘Piss Christ’
From the New York Times: New Charlie Hebdo Cover Creates New Questions for U.S. News Media By RICK GLADSTONE and RAVI SOMAIYA | January 13, 2015 After the killings at the French satirical newspaper...
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