Cristina Escobar
(She/Her)
As seen in:
LATINAMEDIACO,
Medium,
MSN Canada,
Yahoo Life,
BBC,
BBC Mundo,
NPR,
TODAY,
Flipboard,
PS,
Glamour
and
Covers:
Entertainment, movies, TV, Latino/a/x culture
Co-founder @LatinaMediaCo. Contributor @Popsugar @EbertVoices y más. TEDx speaker, R🍅 approved @CriticsChoice @LEJALatino cescobarandrade.com/
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Cristina Escobar’s Biography
Read Full Bio →Cristina Escobar is the co-founder of latinamedia.co, an indie publication uplifting Latina and gender non-conforming Latinx perspectives in media. A rehabilitated English major, she’s a member of the Critics Choice Association, a Rotten Tomatoes approved critic, and a member of the Latino Entertainment Journalists Association. She writes at the intersection of race, gender, and pop culture and her words can be found in the A.V. Club, Glamour, Latino Rebels, mitú, Popsugar, Remezcla, Refinery29…
Cristina Escobar’s Journalist Portfolio
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Articles
“Chad Powers” Remains a Ludicrous, Warm-Hearted Show in Season 2
The premise of the Glen Powell vehicle “Chad Powers” is ridiculous and doesn’t get any less so in season two. This is still a show about Russ Holliday, an epic flame-out of a quarterback, and his attempt to regain the spotlight as his wig- and prosthetics-powered alter ego, Chad Powers. Yes, in season two, assistant coach, coach’s daughter, and Chad/Russ’s love interest Ricky Hudson (Perry Mattfeld) knows about the deception.
USA Network’s “Anna Pigeon” Is a Satisfying TV Throwback
Come for the nature shots, stay for the compelling characters from Nevada Barr’s novels. USA Network’s “Anna Pigeon” is filled with beautiful Montana vistas (even if shooting took place in neighboring Alberta, Canada) and golden-hour glows as it follows its titular park ranger.
“The Map of Longing” Offers Real Catharsis Despite Its Teen Melancholy
Fans of the book by Alice Kellen probably already know–Netflix’s “The Map of Longing” is more “The Fault in Our Stars” than “Bridgerton.” Yes, the Spanish series is adapted from an adult romance, but it brings a certain teenage melancholy, even as its characters are ostensibly in their 20s. So expect more earnest coming of age (think the driver’s test) and less randy fun (the sex is pretty tame, even if we do see more flesh than U.S. audiences are accustomed to).
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