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Articles by Dana Gavanski
Dana Gavanski with Mike Lindsay (Tunng) Have Been Working Together a Really Long Time
Dana Gavanski is a Canadian singer-songwriter residing in London; Mike Lindsay is a Mercury Prize-winning producer, co-founder of the experimental folk band Tunng and one half of the band LUMP with Laura Marling. Mike produced Dana’s new record, LATE SLAP — out now on Full Time Hobby — so to celebrate, the two caught up about its creation. — Annie Fell, Editor-in-chief, Talkhouse Music Dana Gavanski: How are we doing? Mike Lindsay: Doing good, yeah.
I Don't Like My Chances On The Outside, by lilo
1. Settled Tell me is this settled? Or have I downgraded To uncomfortable?
Audio & playlist from June 12, 2022
Dana Gavanski and Rozi Plain Are Learning to Trust Themselves
Rozi Plain is a London-based singer-songwriter; Dana Gavanski is a Canadian singer-songwriter, who is also based in London. Dana’s record When It Comes was just released last week on Flemish Eye, so to celebrate, the two friends sat down at the pub to chat about it, and more. — Annie Fell, Editor-in-chief, Talkhouse Music Dana Gavanski: How do you prepare when you’re getting on stage? Do you have any kind of rituals?
Dana Gavanski
Dana Gavanski Dana Gavanski is a singer/songwriter currently residing in London. @danagavanski RT @mindiesblog: Dana Gavanski (@danagavanski): "Me interesan un montón las mitologías cotidianas que creamos y la forma en que mitificamos… The friends talk nerves, songwriting habits, and much more.
Dana Gavanski: New album, influences and rediscovering her voice
So how did she deal with an ailment that would be uniquely challenging to most, let alone a singer? “It was a day-to-day thing,” she recalls with a sigh. “I was quite hot-headed about it because it was so hard to accept. It was such a hard time in the world, and I just wanted to focus on music and make an album, and then this happened.
Contact, by Landshapes
Loneliness, isolation, alienation, the need for connection and community. The salient themes of our times resonate with a haunting, predictive and vital power on the third album from London four-piece Landshapes. Released through Bella Union this December, Contact is an album that digs deep into the past, looks ahead to the future and burns with vivid life in the present, where its mind-expanding soundscapes, beguiling melodies and resonating emotions exude a tremendous in-the-moment vibrancy.
Nights To Forget, by Martha Ffion
/ Streaming + Download Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Purchasable with gift card £7 Record/Vinyl + Digital Album Limited edition 12" baby blue vinyl <3 Comes with CD & download code. Limited to 300 copies Artwork by Douglas Pattison Cover can be signed upon request Includes a special lyric booklet Includes unlimited streaming of Nights To Forget via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Yesterday is Gone
Introspection is the common thread that cuts through Dana Gavanski’s lo-fi breakup album Yesterday is Gone. Gavanski reflects delicately on all the pain and loss that comes with losing a lover. However, letting go gives her room to find herself within the absence of love. Her honeyed vocals tiptoe around whimsical lyricism about the changing of the seasons and the slow burn of time.
Yesterday Is Gone, by Dana Gavanski
‘I’m learning how to say goodbye / to let you go and face the tide / to wrap my feelings in a song,’ sings Dana Gavanski on the title track of her debut LP, Yesterday Is Gone. To wrap her feelings in a song: this is the task Dana has dedicated herself to with this record. It’s a goal common to many songwriters, but few approach it with such aplomb.
One By One, by Dana Gavanski
Dana has been singing since she was a child: in her room, to the radio, in choir, and during the boisterous gatherings with her Serbian family. However, she took a break from music and started focusing her attention on her love of cinema. With a father in the film industry, a painter mother and having a background in art history, cinema and film production, Dana was initially prepared to work in the film industry or academics.
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