Daniel Lombroso on Muck Rack

Daniel Lombroso

New York
As seen in: The New Yorker, The New York Times, The Atlantic, The Boston Globe, Defense One, NewsBreak, DMovies
director of WHITE NOISE and MANHOOD | formerly staff @theatlantic @newyorker | usually eating uzbek food in queens
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Articles

One Man’s Stand Against Donald Trump’s Election Denialism

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By Paul Moakley Verified, Daniel Lombroso, Rachel Monroe
| The New Yorker Verified
The Maricopa County Board of Supervisors typically meets in a room in a building in downtown Phoenix, Arizona. The members sit in swivel chairs on a dais, in front of a blue wall emblazoned with the county seal. It’s the kind of banal municipal setting that, in recent years, has become the backdrop for theatrical scenes of turmoil and confrontation.
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In “Nina & Irena,” a Holocaust Survivor Breaks Her Silence After Eighty Years

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By Daniel Lombroso
| The New Yorker Verified
“We’re a vanishing breed,” Lombroso’s grandmother told him. “So, if you want to do this, you’d better hurry.” I grew up around Holocaust survivors. As a kid in suburban New York in the late nineteen-nineties and early two-thousands, I knew that many of my relatives and family friends had heart-wrenching memories of living through genocide. The stories were so commonplace in our community that it was possible, as a kid, to shrug them off.
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A Murdered Israeli Filmmaker’s Prophetic Warning, in “The Boy”

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By Yahav Winner, Daniel Lombroso
| The New Yorker Verified
The violence of the Israel-Palestine conflict marked Winner’s life early. During a previous round of fighting, in 2008, when Winner was in his twenties, he was working in the garden with his best friend’s father when a Hamas-fired rocket landed and blew the other man to pieces. Atary says the experience shaped Winner’s life: “His soul broke,” Atary told me, when we spoke. “His trauma started there.” Trauma became the preoccupation of his work.
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