Skip To Main Content
Daniel Lombroso on Muck Rack

Daniel Lombroso

New York
As seen in: The New Yorker, The New York Times, The Atlantic, The Boston Globe, Defense One, NewsBreak, DMovies
director of WHITE NOISE and MANHOOD | formerly staff @theatlantic @newyorker | usually eating uzbek food in queens
Is this you? As a journalist, you can create a free Muck Rack account to customize your profile, list your contact preferences, and upload a portfolio of your best work. Claim your profile

Get in touch with Daniel

Contact Daniel, search articles and posts on X, monitor coverage, and track replies from one place.

Learn more about Muck Rack

Actions

Share this page

Is this you?

As a journalist, you can create a free Muck Rack account to customize your profile, list your contact preferences, and upload a portfolio of your best work.
Claim your profile

Articles

One Man’s Stand Against Donald Trump’s Election Denialism

|
By Paul Moakley Verified, Daniel Lombroso, Rachel Monroe
| The New Yorker Verified
The Maricopa County Board of Supervisors typically meets in a room in a building in downtown Phoenix, Arizona. The members sit in swivel chairs on a dais, in front of a blue wall emblazoned with the county seal. It’s the kind of banal municipal setting that, in recent years, has become the backdrop for theatrical scenes of turmoil and confrontation.
Open in Who Shared Issue with article?

In “Nina & Irena,” a Holocaust Survivor Breaks Her Silence After Eighty Years

|
By Daniel Lombroso
| The New Yorker Verified
“We’re a vanishing breed,” Lombroso’s grandmother told him. “So, if you want to do this, you’d better hurry.” I grew up around Holocaust survivors. As a kid in suburban New York in the late nineteen-nineties and early two-thousands, I knew that many of my relatives and family friends had heart-wrenching memories of living through genocide. The stories were so commonplace in our community that it was possible, as a kid, to shrug them off.
Open in Who Shared Issue with article?

A Murdered Israeli Filmmaker’s Prophetic Warning, in “The Boy”

|
By Yahav Winner, Daniel Lombroso
| The New Yorker Verified
The violence of the Israel-Palestine conflict marked Winner’s life early. During a previous round of fighting, in 2008, when Winner was in his twenties, he was working in the garden with his best friend’s father when a Hamas-fired rocket landed and blew the other man to pieces. Atary says the experience shaped Winner’s life: “His soul broke,” Atary told me, when we spoke. “His trauma started there.” Trauma became the preoccupation of his work.
Open in Who Shared Issue with article?
See all 137 licensed articles (139 Total)