David Glickman on Muck Rack

David Glickman

Brooklyn, New York
As seen in: HuffPost, Myspace, TechCrunch, Inc., Flipboard, The Times of Israel, Pitchfork, Paste, Kansas City Star, Stereogum and
Freelance music writer. Bylines at @pitchfork, @bandcamp, and @creemmag. Former bookseller at McNally Jackson. He/Him. Email is: david.glickman5@gmail.com
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Articles

Fishmans tells the band’s story in painstaking detail

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By David Glickman
| Paste
The first time I ever heard of Fishmans was on the appropriately-titled YouTube page Deep Cuts. As part of his Essentials series, host Oliver Kemp was discussing Fishmans’ 1997 masterpiece Long Season, going on at length about the Japanese band’s musicianship and creativity, and everything they were able to accomplish on the album’s single thirty-five-minute track. Curious, I immediately sought out the album—and was astonished.
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Cost of Living Adjustment

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By David Glickman
| Pitchfork
Cola always felt like a comedown. By the time Tim Darcy and Ben Stidworthy’s previous band, Ought, came to an end in 2021, the Montreal group had morphed from nervy, scrappy post-punk to grandiose art rock. Cola, formed with drummer Evan Cartwright, shifted to something stark and simple with the terse indie rock of their debut, 2022’s Deep in View and its slightly lusher follow-up, 2024’s The Gloss.
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A Certain Smile, A Certain Sadness

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By David Glickman
| Pitchfork
By 1996, every band with a guitar felt the pressure to crank its amps as loud as possible, and even indie pop fans heard the clean jangle of prior years give way to the distorted crunch and Psychocandy worship of bands like Black Tambourine and Henry’s Dress. Those making more bookish and insular styles of the genre, like the Magnetic Fields and Belle and Sebastian, weren’t being worshipped as critical darlings; in some cases their records hadn’t made it to America yet.
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