Diane Mehta on Muck Rack

Diane Mehta

United States
As seen in: School Library Journal, The New York Times, The Guardian, Fast Company, The New Yorker, Boston University, Foreign Policy Magazine, National Post, The New Republic, Literary Hub, La Presse and
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Articles

Rehearsal Scenes

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By Diane Mehta
| The Paris Review Verified
By Diane Mehta June 18, 2025 Three dispatches from the New Chamber Ballet’s poet in residence, Diane Mehta, who has observed their rehearsals nearly every week for the past year and a half. 1: The Lift In the delicate center of the action, each dancer rests her head on the other woman’s shoulder. Expectation slows, tragedy softens, the center holds. They are barely touching. The lean is superficial; they do not need each other yet. This is the prelude to the enormous tension that comes next.
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Rehearsal Scenes

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By Diane Mehta
| buff.ly
By Diane Mehta June 18, 2025 Three dispatches from the New Chamber Ballet’s poet in residence, Diane Mehta, who has observed their rehearsals nearly every week for the past year and a half. 1: The Lift In the delicate center of the action, each dancer rests her head on the other woman’s shoulder. Expectation slows, tragedy softens, the center holds. They are barely touching. The lean is superficial; they do not need each other yet. This is the prelude to the enormous tension that comes next.
Open in Who Shared Issue with article?

'Not Heaven but Paradise' offers Catholic take on our geopolitical era

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By Diane Mehta, Michael Mewshaw
| National Catholic Reporter Verified
(Unsplash/Marco Montero Pisani) American damage is the story underneath the story in Michael Mewshaw's powerful literary thriller set in Granada, Spain. More than 20 books into his career, Mewshaw is deft at creating a story that is not as it appears yet is exactly as it appears. The rubbery life of a narrative relies on a sequence of perfectly normal scenes that promise to be entertaining, until the whole thing explodes and we are no longer laughing.
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