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Elena Razlogova on Muck Rack

Elena Razlogova

Montreal
As seen in: JSTOR Daily, SAGE Publishing, Taylor & Francis Online, Educational Studies, PopMatters, Cult MTL
Historian at @Concordia; author, The Listener’s Voice (2011); global Cold War & film / freeform radio & online music. Writing a book on WFMU. Not really here.
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Articles

University of California Press

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By James Williams, Elena Razlogova
| University of California Press Blog
Film Quarterly has published substantial, peer-reviewed writing on cinema and media for over sixty years, earning a reputation as one of the most authoritative academic film journals in the United States, as well as an important English-language voice of cinema studies abroad. ISSN: 0015-1386        eISSN: 1533-8630 Published Quarterly – March, June, September, December Impact Factor: 0.6 Editor: J.M. Tyree, Virginia Commonwealth University
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The Rise and Fall of “True Crime” Radio Dramas

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By Julia Métraux Verified, Elena Razlogova
| JSTOR Daily Verified
The icon indicates free access to the linked research on JSTOR. Over the past several years—particularly following the premiers of Serial and Criminal in 2014—true crime podcasts have become a core element of the mediascape. Although podcasts themselves are typically considered “new media,” the detailed focus on crime and its investigation for entertainment purposes isn’t new at all.
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The G.I. Joe Cinematic Universe is off to a rough new start with Snake Eyes

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By Alex Rose, Elena Razlogova
| Cult MTL Verified
In the endless search for more intellectual property to spin new franchises from, studios have butted heads against one particular obstacle: as the dominating cultural force for a solid century, movies have had a lot more impact on other media than vice-versa. It’s particularly true of video game adaptations, many of which are based on properties that were already rooted to some degree in references and a narrative language pilfered from movies.
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