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Articles by Emily Liebowitz
11 Books to Read: The Best Reviews of October
By WSJ Books Staff Bound to Violence By Yambo Ouologuem, translated by Ralph Manheim | Other Press The Malian writer Yambo Ouologuem's 1968 epic -- now in a new edition that reintroduces readers to his provocative work -- was a dramatic rejoinder to nostalgic visions of African history. Review by Sam Sacks But Will You Love Me Tomorrow?
The assembly line: Making girl groups the Detroit way
Excerpted from BUT WILL YOU LOVE ME TOMORROW?: An Oral History of the ’60s Girl GroupbyLaura Flam & Emily Sieu Liebowitz. Copyright © 2023. Available from Hachette Books, an imprint of Hachette Book Group, Inc. BRIAN HOLLAND, songwriter: I was with Motown before there was Motown. JANIE BRADFORD, Motown executive: Berry Gordy, Smokey Robinson, Brian Holland, Robert Bateman, and myself were the first five.
Global News 2023 Entertainment
It was November 1960, and my seventh-grade mind was wrapped around the Shirelles’ monumental hit, “Will You Love Me Tomorrow.” The song’s lyrical precision penetrated my teenage-girl psyche with its longing for love — and respect.The lyrics were so fraught with social implications, especially those suggesting possible teen pregnancy, that some radio stations banned the song.
The Story Behind the Birth of the ’60s Group
(From left) Estelle Bennett, Ronnie Spector, Nedra Talley-Ross Before they became the Ronettes, Ronnie Spector, Nedra Talley-Ross, and Estelle Bennett were just three family members from Harlem singing in front of a group of encouraging relatives. “They would make you think you were really good and then they’d give us money. So we started getting paid at 5,” recalls Talley-Ross in But Will You Love Me Tomorrow?: An Oral History of the ’60s Girl Groups.
From “Goodbye 7”
Skip to content & in your deck, perhaps my acorn is a clover, or my pike in your vision turned to leaf, & though you know my knave be your knight, what piece of yourself was left behind when you toppled off the horse meeting another definition on the ground, that was close enough to you in mirror form, that there was no need to re-mount or re-invent. Now together or coined as company designed to be a rope around your neck, not a noose but nooselike.
Goodbye 17 by Emily Liebowitz
Grown from conventional purpose in order to rename over there as “across state line,” in terms of survival, Dante calls X a way to maintain courage. & from the end of this dispatch I would’ve been a good wife hemming distances, a little, every day, without one wholly thing the matter.
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