There’s a story playing out along the walls of Naples Art Institute (NAI)—an expansive display of modern American artwork tracing the early days of European-influenced abstraction to the emergence of a distinctly American school. But it’s not the version most have heard. In place of de Koonings, O’Keeffes or Calders, are Brownes, Cramers and Kinzingers—names often overlooked in the telling of modern American art, yet instrumental in its shaping.