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Fiona Gilbert on Muck Rack

Fiona Gilbert

As seen in: Nature, British Journal of Radiology, Thorax, JAMA Oncology, The Scotsman, Refinery29, STAT, The Lancet, Contemporary OB/GYN, London Theatre 1 and
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Articles

Garden Party – Canal Café Theatre | Review

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By Fiona Gilbert
| London Theatre 1
Kultursocio’k Live Art Collective (sic) describe themselves as “dedicated to developing artistic expressions, proposing innovative concepts and counter systems in the arts,” but don’t let this put you off. Their ‘immersive true-crime cabaret’ at the very intimate Canal Café Theatre is really rather good, with occasional flashes of brilliance. It is showing in London following an award-winning run at the Edinburgh Festival Fringe last year.
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Remachine – Sadler’s Wells East | Review

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By Fiona Gilbert
| London Theatre 1
Sadler’s Wells East continues to carve an impressive niche as London’s new home of contemporary dance with the UK premiere of Dutch-Swedish choreographer and dancer, Jefta van Dinther’s Remachine. Remachine at Sadler’s Wells East. Photo credit: Elin Berge The award-winning Van Dinther is known for putting his dancers into “challenging physical circumstances”.
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We Caliban – Sadler’s Wells East | Review

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By Fiona Gilbert
| London Theatre 1
Shobhana Jeyasingh Dance’s new work aims to take a postcolonial, sideways view of Shakespeare’s The Tempest, reimagining Caliban as a native islander enslaved and subjugated by invading imperialists. It’s an ambitious thing to do, especially in a show that is only an hour long, which leads to a very concentrated and hectic production. ‘We Caliban’ by Shobana Jeyasingh Dance. Photo by Foteini Christofilopoulou.
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