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Gary Saul Morson on Muck Rack

Gary Saul Morson

  • Critic and Writer, Freelance
  • Professor of the Arts and Humanities, Northwestern University
Evanston
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Articles

New to The New Criterion ?

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By Elizabeth Eck, Gary Saul Morson, Jeffrey Meyers
| The New Criterion Verified
Philippe Rousseau, Still Life with Ham, 1870s, Oil on canvas, Metropolitan Museum of Art. Week in review Purchase this and other timeless New Criterion essays in our hard-copy reprint series. Recent stories of note: “At Andrew Edmunds, Artistic Gossip Is Always on the Menu” Michael Delgado, Apollo In Apollo, Michael Delgado lauds the old-school charm of the London restaurant Andrew Edmunds.
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New to The New Criterion ?

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By Paul du Quenoy, Gary Saul Morson, Elizabeth Eck
| The New Criterion Verified
Gordon Bintner & Aigul Akmetshina as Don Giovanni & Donna Elvira. Photo: Alastair Muir. A libertine in London Purchase this and other timeless New Criterion essays in our hard-copy reprint series. “Più del pan che mangio, più dell’aria che spiro”—“More than the bread I eat, more than the air I breathe,” says the titular character of Mozart’s Don Giovanni, describing his need for women.
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New to The New Criterion ?

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By David Platzer, Elizabeth Eck, Gary Saul Morson
| The New Criterion Verified
Tintoretto, Susanna and the Elders, ca. 1555–56, Oil on canvas, Kunsthistorisches Museum, Vienna. A Venetian master Purchase this and other timeless New Criterion essays in our hard-copy reprint series. Jacopo Robusti (1518–94), better known as Tintoretto or “the dyer’s son,” is one of the greatest masters of Venice’s sixteenth century. It is appropriate for Paris’s Jacquemart-André, noted for its exhibitions of Italian art, to present a panoramic look at Tintoretto’s art.
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