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Gary Suarez

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As seen in: Cabbages, Apple Podcasts, Medium, The New York Times, Yahoo Entertainment, Forbes, The Guardian, Bandcamp Daily, NPR, Red Bull, Billboard and
Hip-hop / rap music newsletter journo & podcaster. CABBAGES: cabbageshiphop.com Photo credit: @photomillermike
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Articles

Marcus Pinn Has The Right To Scratch

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By Gary Suarez Verified
| Duncecast With Samurai Banana
Discerning hip-hop heads know the name Boards Of Canada. Back in the mid-to-late 1990s, the enigmatic Scottish duo of Marcus Eoin and Mike Sandison put out a handful of projects that blended off-kilter downtempo sensibilities with thematic elements drawn from cults and the occult.
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How High (2001): Smoking Harvard

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By Gary Suarez Verified
| Bright Wall/Dark Room Verified
Universal Pictures Practically all stoner comedies require the incandescent spark of friendship. Indeed, some of the greatest of these particular genre films hinge upon what one might call—to borrow from the rom-com lexicon—a weed cute. Whether in childhood or slacker adulthood, a powerful bond is forged under unusual or unlikely circumstances that brings the protagonists together, with indica, sativa, or possibly some really good hash fueling their camaraderie as much as their exploits.
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For The People: An Interview With Dälek

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By Gary Suarez Verified
| Duncecast With Samurai Banana
Revolutionary rhetoric has long had its place in hip-hop. While a substantial plurality of today's artists seem to have fully divested from politics in their music as well as their public lives, a history that dates back to proto-rap progenitors like Gil Scott-Heron and The Last Poets remains well documented. In our current, incessantly divisive era, one might understand why a subset of listeners hunger for a next gen iteration of dead prez., Public Enemy, or Paris.
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