Graham Fuller on Muck Rack

Graham Fuller

New York
As seen in: The Arts Desk, The New York Times, Rolling Stone, Vanity Fair, The Culture Trip, Sight & Sound, The Village Voice, Notebook, BFI, Screen Daily, InsideHook and
Covers:  Film, TV, art, music, books

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Graham Fuller’s Biography

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Film critic and arts & entertainment editor based in NYC. Contributor to The New York Times, The Los Angeles Times, Vanity Fair, Rolling Stone, The Guardian, Cineaste, Film Comment, Sight and Sound, Screen Daily, Inside Hook, The Arts Desk, Art Forum, Artnet, and more.

Graham Fuller’s Journalist Portfolio

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Does "Deadwood" Work in 2019? - InsideHook

Does "Deadwood" Work in 2019? - InsideHook

"Stall progress he may, stop it he cannot," George Ambrose Hearst (Gerald McRaney) harrumphs when the dogsbod…

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Graham Fuller | The Arts Desk

Graham Fuller | The Arts Desk

Graham is a British writer and editor based in New York since 1986. He was the executive editor at Interview …

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Graham Fuller

Graham Fuller

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The psychological western | Deep focus | Sight & Sound

The psychological western | Deep focus | Sight & Sound

The shift in sensibility that darkened and reoriented the Hollywood western when, tentatively at first, it en…

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Graham Fuller, Author at Film Comment

Graham Fuller, Author at Film Comment

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Nicholas Ray's In a Lonely Place as Psychodrama - Cineaste Magazine

Nicholas Ray's In a Lonely Place as Psychodrama - Cineaste Magazine

"In the meantime, I had separated from my wife," he said of the murder scene's place in the production schedu…

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Articles

A “lethally perfumed neo-noir”: David Lynch’s Mulholland Dr.

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By Graham Fuller, Farran Nehme, Melanie Williams
| Sight & Sound
Now 25 years old, Mulholland Dr. audaciously retools a discarded TV pilot into a fractured dream that is as alluring as it is chilling, argued Graham Fuller in our December 2001 issue.
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Object of the week: The Academy Cinema’s bespoke posters for Seven Samurai and other arthouse classics

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By Melanie Williams Object, Tabitha Austin, Graham Fuller, Melanie Williams
| BFI
This poster was borne of a partnership initially forged in adversity. Filmmaker George Hoellering and artist Peter Strausfeld met when they were interned on the Isle of Man as enemy aliens in England during World War II.
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Moulin Rouge: “the artiest film ever predicated as a summer blockbuster”

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By Graham Fuller, Tabitha Austin, Rosie Taylor
| Sight & Sound
Baz Luhrmann’s all-raving Moulin Rouge – returning to cinemas this week for its 25th anniversary – is not just an ambitious stab at reviving the musical, it is also a rapturous blend of cultural references old and new, argued Graham Fuller in our June 2001 issue. 17 March 2026 Moulin Rouge! (2001) Baz Luhrmann’s Moulin Rouge is both an old-fashioned Hollywood backstage musical with a La Bohème-like thrust and a postmodern pantechnicon of pop-cultural allusions.
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