Agon, 2026 Focusing on three young female athletes in the lead-up to a fictional Olympic Games, Giulio Bertelli’s artful debut feature is an alternative universe of woozy rhythms and dream logic Giulio Bertelli describes his artful feature debut as “techno realism”. A hybrid of documentary, drama, video games, sci-fi-like interfaces and the replays and commentary of sports broadcasting, it has the uncanny feel of a William Gibson novel, transplanted onto celluloid.