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Haricharan Pudipeddi on Muck Rack

Haricharan Pudipeddi

Chennai
As seen in: Indo-Asian News Service, MSN India, Hindustan Times, NDTV, Firstpost, Flipboard, Yahoo, The New Indian Express, Pinkvilla, The Quint, The Telegraph (India) and
Former Entertainment Journalist. Words @htshowbiz @cinestaan. Previously with IANS and Bangalore Mirror. Also, a compulsive shoe shopper
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Articles

Vaazhai review: Mari Selvaraj's film is heartwarming and gut-wrenching in equal parts

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By Haricharan Pudipeddi
| South First Verified
23-08-2024, Drama, 2 hours 16 minutes U Theatre Main Cast:Ponvel M, Raghul R, Kalaiyarasan, Nikhila Vimal, J Sathish Kumar, Dhivya Duraisamy, and Janaki Director:Mari Selvaraj Producer:Divya Mari Selvaraj and Mari Selvaraj Music Director:Santhosh Narayanan Cinematography:Theni Eswar Vaazhai, based on true events from Mari Selvaraj’s life, is his most personal, close-to-heart and affecting work. It is the kind of film that leaves you speechless and absolutely dumbfounded by the end of it.
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Boat review: Yogi Babu's film is a cheap copy of Hitchcock's 'Lifeboat'

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By Haricharan Pudipeddi
| South First Verified
02-08-2024, Drama, 2 hours 5 minutes U Theatre Main Cast:Yogi Babu, Gouri G Kishan, MS Bhaskar, Chinni Jayanth, Jesse Fox-Allen, Chaams, Madhumitha, Sha Ra, Kollapuli Leela, and Aakshath Das Director:Chimbu Deven Producer:Prabha Premkumar and C Kalaivan Music Director:Ghibran Cinematography:Madhesh Manickam In 2006, Chimbu Deven made a smashing debut with his highly enjoyable historical comedy Imsai Arasan 23am Pulikesi. It is still one of the best films to have come from the filmmaker.
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Indian 2 vs Raayan: Is minimal or no promotion the future of film marketing?

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By Haricharan Pudipeddi
| South First Verified
While Tamil cinema has made significant strides in technical advancements and storytelling, it has yet to master the art of film marketing. We live in an era where a film’s fate is often decided by the end of its first show on release day. With audiences’ attention spans shrinking, filmmakers and producers face the challenge of effectively promoting their films and drawing viewers to the theatres.
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