Hatty Nestor

An interview with Rosie Hastings and Hannah Quinlan about their project, UK Gaybar Directory

Society loves courtroom dramas - they allow the viewer to consume the uncertainty of someone else's life as o…

Book review: Free Cyntoia: My search for redemption in the American prison system by Cyntoia Brown-Long with …

In 2001, Carl de Keyzer was given authorization by the Russian military to photograph in prisons and former l…

'The problem is not that people remember through photographs, but that they remember only the photographs... …

Last year I was reading Leslie Jamison's Empathy Exams. I had arrived at this text after some time spent cons…

How should we talk about the trace? When we talk about traces, are we referencing something which has been le…

A journey, for example, begins with a voice calling your name out behind you. This seems a convenient arrange…

Over the past year Queerdirect has taken over several London institutions, reimagining the gallery as a visib…

Last autumn I listened to an episode from the 1999 'Lock Up' series of This American Life, which explored the…

Blenheim Palace, Oxford 28 September - 31 December 2017 by HATTY NESTOR Jenny Holzer has artistically employe…

Blenheim Palace, Oxford 28 September - 31 December 2017 by HATTY NESTOR Jenny Holzer has artistically employe…

Sarah Lucas, Divine Where do those who identify as queer find cultural belonging in a political landscape tha…

The third edition of the London performance festival makes the case for collective action in an age of politi…

WHEREISANAMENDIETA In response to the rising austerity and creeping fascism in the UK and beyond, there has b…

Anthony McCall reflects on sculpting with light and durational drawing in his 40-year career

Hannah Black’s practice deals primarily with issues of global capitalism, feminist theory, the body and socio…

port-magazine.com - In an excerpt from her newly published book - Ethical Portraits - Hatty Nestor talks to H…

AND incorporates writing and publishing as an artistic practice, as a predominantly experiential platform to …

Prisons systematically dehumanise the imprisoned. Visualised through mugshots and surveillance recordings, th…

The dirty woman is a hardwired gendered subject. Someone once told me they felt like a dirty woman after they…

is an anthology of essays published by the Centre of Curatorial Studies at Bard College, New York, in conjunc…