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Heather King on Muck Rack

Heather King

Greenville
As seen in: The New York Times, MDPI, Sydney Morning Herald, Taylor & Francis Online, The Age, The Sunday Age, SheKnows, The Canberra Times, Taste of Home, Brisbane Times and
Wife, mother to two girls and one boy, owner of one very naughty, but lovable, Beagle. Anchor of WITN News at Sunrise.
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Articles

Capitalizing on Animality: Monstrosity and Multispecies Relations in Jordan Peele’s Nope (2022)

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By Heather King
| MDPI
I will cast abominable filth at you, make you vile, and make you a spectacle (Nahum 3:6) 1. The Culmination of Jean Jacket During one of the first scenes of Ishirō Honda’s 1954 Goija, following the loss of both human and animal life at sea and poor fishing yields, an elderly man urges his community to believe his claims regarding the threatening existence of the gigantic and monstrous Godzilla. His daughter, scoffing at his suggestion, sarcastically responds, “Godzilla again Pops?
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Looking at The Spectator

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By Heather King
| oll.libertyfund.org
One of their options in the 1710s was the growing number of serial publications like The Tatler (1709-1711) or The Spectator (1711-1712, 1714). Both publications were what the kids today would call collabs between Whig partisans Joseph Addison and Richard Steele, and both employ a fictional persona to comment on current social trends.
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Looking at The Spectator

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By Heather King
| oll.libertyfund.org
Before denizens of the web could pass hours wandering down rabbit holes like McSweeney’s Internet Tendency or The Onion, what did well-read, culturally au currant folks do for amusement? One of their options in the 1710s was the growing number of serial publications like The Tatler (1709-1711) or The Spectator (1711-1712, 1714).
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