Skip To Main Content
Jennifer Pastore on Muck Rack

Jennifer Pastore

Verified
Ridgefield
As seen in: Vanity Fair, The New York Times, The Japan Times, Artnet, The Art Newspaper, Ocula Ltd, Art Asia Pacific, Sixtysix
Is this you? As a journalist, you can create a free Muck Rack account to customize your profile, list your contact preferences, and upload a portfolio of your best work. Claim your profile

Get in touch with Jennifer

Contact Jennifer, search articles and posts on X, monitor coverage, and track replies from one place.

Learn more about Muck Rack

Actions

Share this page

Is this you?

As a journalist, you can create a free Muck Rack account to customize your profile, list your contact preferences, and upload a portfolio of your best work.
Claim your profile

Articles

Japan’s largest exhibition of women photographers rights a wrong in cultural history

|
By Jennifer Pastore Verified
| The Japan Times Verified
For decades, women working in photography have had to fight for a place in the spotlight. “I’m So Happy You Are Here: Japanese Women Photographers from the 1950s to Now,” a 2024 anthology and an ongoing international exhibition, seeks to give them the recognition they deserve. Tokyo’s T3 Photography Festival previewed part of the exhibition last year, but the larger show, which has toured Europe and North America and attracted some 140,000 visitors, opened July 4 at Hikarie Hall in Shibuya.
Open in Who Shared Issue with article?

Sachiko Kazama’s art bites back at a cruel society

|
By Jennifer Pastore Verified
| The Japan Times Verified
Sachiko Kazama wants to tell you a dark fairy tale about Japan’s relentless modernization. This story has knights, robots, nuclear warships and flourishes of opera and classical literature. And it doesn’t end well. An unflinching satirist, Kazama has made a name for herself delivering sharp political messages through her art.
Open in Who Shared Issue with article?

Emerging Kansai artists to watch

|
By Jennifer Pastore Verified
| The Japan Times Verified
Kansai is celebrated as the home of comedians, playwrights and traditional performers. Yet some of Japan’s most inventive contemporary visual artists are also working there — often with far less recognition than their counterparts in Tokyo. That relative obscurity belies the region’s artistic pedigree. Encompassing major cities including Osaka, Kyoto and Kobe, Kansai is the birthplace of Gutai, the influential postwar avant-garde movement known for its emphasis on materiality and performance.
Open in Who Shared Issue with article?
See all 39 articles