Joel Barrios
- Assistant Editor, Photographer, and Journalist, Metal Injection
- Founder, Photography That Rocks
Miami
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The 10 Best SLAYER Songs of the 21st Century
Slayer spent the 1990s in a genuinely uncertain place, a decade some members have since admitted was creatively uneven, solidified by 1998's nu-metal-adjacent Diabolus in Musica. What followed was a genuine reawakening: four studio albums across fifteen years that rediscovered the band's classic thrash foundations while pushing into territory the '80s-era Slayer never touched: war trauma, religious extremism, serial killers, and the band's own mortality.
No Producer, No Plan, Nine Days: How SLAYER Made 'God Hates Us All' 25 Years Ago, Before Everything Changed
Slayer's ninth studio album, released Sept. 11, 2001, marked a deliberate return to the band's classic thrash foundations after a decade some members have since described as creatively uneven. Guitarist Kerry King later reflected bluntly on the album's origins in an interview with the Las Vegas Review-Journal: "That's the only time in my life I let it get to me, and you can tell by the way God Hates Us All came out, with fucking guns blazing.
Converge's fourth studio album, released in September of 2001 through Equal Vision Records, arrived at a genuine inflection point for the Boston band. Recorded across a three-month stretch spanning Q Division Studios, GodCity Studio, and Fort Apache Studios, and produced by Matthew Ellard alongside guitarist Kurt Ballou, the sessions came together as the band's lineup was itself in flux.
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