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Jonathan Horsley

Verified
United Kingdom
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I was once a Tradie, But now I haft to be a Music Artist that's Recording his own Songs & it's becouse of the Pandemic & all of us Cant Preform Anymore LMFAO AU
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Articles

“It's an amp for when you feel the need to give the FOH sound engineer a nervous breakdown”: My pick of the best new guitar gear launched this week – and the new drops you might have missed

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By Jonathan Horsley Verified
| Inkl
To make things a little easier, we’ve put together an essential must-read guide that will cover the major releases, the boutique drops, and everything in between. Below you'll find my personal highlights from the week, along with plenty of honorable mentions for the new gear you might have missed. Agree with my picks? Have a highlight of your own? Let us know in the comments.
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“The final boss of the lost Dual Op-Amp circuit”: Electro-Harmonix gives the Big Muff Pi 2 the “Deluxe” treatment – adding Wicker switch, noise-gate, footswitchable mids and more

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By Jonathan Horsley Verified
| Inkl
Electro-Harmonix Dual Op-Amp Big Muff Pi 2 Deluxe. Electro-Harmonix has super-sized its Dual Op-Amp Big Muff Pi 2, giving this once lost fuzz pedal the full Deluxe treatment, which means the more features, more versatility on the Muff that offers more… Well, oomph. There’s something about this Dual Op-Amp Big Muff Pi 2. Unearthed from a “lost” schematic while Josh Scott of JHS Pedals was researching his Electro-Harmonix book, this circuit was more aggressive, more physical in its fuzz.
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"The merest hint of musical beauty – the merest hint!”: NPR just posted its most brutal Tiny Desk Concert ever as Napalm Death bring blast beats and chaos to the office – and unleash their one-second grindcore masterpiece in its entirety

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By Jonathan Horsley Verified
| Inkl
But NPR Music broke new ground today; it just broadcast it’s most extreme performance ever, welcoming UK grindcore pioneers Napalm Death to the studio, to pitch up in support of public access broadcasting, and to maybe introduce some people to the restorative magic of the blast beat, brutal riffs, death growls and screams. There was no stagediving. But then there was no stage, no wedge monitors to leap from. This, after all, is an office.
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