The Modern Art Museum of Fort Worth’s exhibition “Jenny Saville: The Anatomy of Painting,” on view through January 18, 2026, begins dramatically. As I ascended the stairs to the show, I saw two monumental heads rise on the wall ahead of me. One head tips back, the other forward. The portrait is of two young women, cheek to cheek. Their heads seem at first to share a body—but no, one rests her chin on the other’s hunched-up shoulder. The left head looks down through narrowed eyes.