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When I lived in San Francisco (1977 – 79) the person I most wanted to meet (after Bob Kaufman) was Jordan Belson. But he had already become quite a famous recluse and all attempts were rebuffed. Belson’s remarkable underground films are often paired with Harry Smith’s: they were best friends and shared a painting studio on and off from 1948 until 1953; both were supported by Hilla Rebay, doyenne of non-objective painting and co-founder of the Guggenheim Museum.
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