Jose Faus

Nari Ward, We the People (black version) (2015), shoelaces, 96″ × 27′ (Crystal Bridges Museum of American Art, Bentonville, Arkansas. photo by Cdward C. Robinson III) I can’t say with certainty whether God exists or not. I tend to the latter because of the way I view the matter. I’m skeptical. It’s the proof in the pudding kind of thing. I feel quizzical, quaint. I ask questions. I look for proof. I’m intrigued by the chain of evidence driven by rigorous inquiry.

Nari Ward, We the People (black version) (2015), shoelaces, 96″ × 27′ (Crystal Bridges Museum of American Art, Bentonville, Arkansas. photo by Cdward C. Robinson III) I can’t say with certainty whether God exists or not. I tend to the latter because of the way I view the matter. I’m skeptical. It’s the proof in the pudding kind of thing. I feel quizzical, quaint. I ask questions. I look for proof. I’m intrigued by the chain of evidence driven by rigorous inquiry.

A U.S. Navy Douglas A-4E  Skyhawk from Attack Squadron 56 (VA-56) “Champions” dropping a bomb over Vietnam. VA-56 was assigned to Attack Carrier Air Wing 5 (CVW-5) aboard the aircraft carrier USS Ticonderoga  (CVA-14) for a deployment to Vietnam from 29 September 1965 to 13 May 1966. (U.S. Navy) “(War) It ain’t nothing but a heartbreaker (War) Friend only to the undertaker, aww!” — Whitfield and Strong When younger, I had a fascination with military history.