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Articles by Joshua Glick
Review: The Oxford Handbook of American Documentary , edited by Joshua Glick and Patricia Aufderheide; The Intellect Handbook of Documentary , edited by Kate Nash and Deane Williams
BOOK DATA Joshua Glick and Patricia Aufderheide, eds., The Oxford Handbook of American Documentary. Oxford University Press, 2025. $196.00 cloth. 588 pages. Kate Nash and Deane Williams, eds., The Intellect Handbook of Documentary. Intellect, 2025. $184.95 cloth. 532 pages.
Why does artificial intelligence look like the cover of a 70s progressive rock album?
Manovich pointed out that the type of people who gravitate towards these programs largely shape what happens due to their personal tastes and preferences.
La inteligencia artificial no es la villana de Hollywood, es solo una heroína imperfecta
Aunque a muchas personas se les olvida, la disrupción es una de las pocas constantes en la historia de la cinematografía. Los primeros teóricos del séptimo arte consideraban que el cine mudo era un lenguaje universal, hasta que las ‘talkies’, como se llamó a las películas sonoras, transformaron la narración para la gran pantalla.
AI Isn’t Hollywood’s Villain-It’s a Flawed Hero
AI Isn’t Hollywood’s Villain—It’s a Flawed Hero by Joshua Glick | Jan 13, 2023 | News | Far from ushering in the death of cinema, AI can help film the “unfilmable” and make cinema more collaborative. Source link
AI Isn’t Hollywood’s Villain—It’s a Flawed Hero - NewsBreak
It's not over yet: the moment Will Smith slapped Chris Rock at last year's Oscars lived on into 2023 thanks to an unexpected portion of Eddie Murphy's Golden Globes acceptance speech. As he accepted the Hollywood Foreign Press Association's Cecil B. DeMille prize Tuesday night for his contributions to the...
AI Isn’t Hollywood’s Villain-It’s a Flawed Hero
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AI Isn’t Hollywood’s Villain-It’s a Flawed Hero
Disruption is one of the few constants in the history of cinema. Early film theorists considered silent cinema a universal language until “talkies” transformed storytelling for the big screen. The domestic proliferation of TV after World War II drew audiences away from theaters and in the process helped dismantle the old studio system. The “digital revolution” has recalibrated where, when, and how we watch, even as it has caused cinephiles to mourn the loss of celluloid.
Book Review: A Comedian and an Activist Walk into a Bar: The Serious Role of Comedy in Social Justice
Joshua Glick Hendrix College Abstract A review of A Comedian and an Activist Walk into a Bar: The Serious Role of Comedy in Social Justice by Caty Borum Chattoo and Lauren Feldman. Published 2021-07-13 By submitting to the Journal of Public Interest Communications, the author(s) agree to the terms of the Author Agreement.
Studio Branding in the Streaming Wars
JUNE 24, 2021 AS WE PLOW FORWARD through the interminable 2020s, let us not forget the long 2010s, bookended by the bankruptcy of Blockbuster and the beginnings of global Netflix on one end, and the flurry of platform launches on the other. Netflix was once the undisputed streamer supreme, having beaten back such early challengers as Vimeo, Facebook Watch, Sony’s Crackle, Walmart’s Vudu, and Google’s YouTube Red-turned-Premium.
Teaching Contemporary Documentary Media: Engaging Students beyond the Screen
Student interest in college courses focusing on documentary media has never been higher. Why? Certainly, "documenting" their lives via Instagram and Snapchat is a popular social ritual. And streaming services such as Netflix, Amazon, and SnagFilms have made it easier than ever to watch a wide variety of nonfiction.
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