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Julieta Caldas on Muck Rack

Julieta Caldas

As seen in: Sydney Morning Herald, The Age, Brisbane Times, The Line of Best Fit, ArtReview, New Left Review, The Monthly, Tribune Magazine, Ocula, The Yale Review and
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Articles

The Haunting of Minne Kersten

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By Julieta Caldas
| Ocula Verified
Minne Kersten’s installations remind me of the kind of dreams in which you’re trespassing in a strange house which you know, on some level, belongs to you. The life-sized rooms that the Dutch artist builds and then films (an attic, a bedroom, a cabin) exist, as she puts it, in “a certain haunted universe”, evacuated of human presence.
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‘Transcription’ by Ben Lerner Review: No Phones

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By Julieta Caldas
| ArtReview Verified
Taking place over a single conversation during the COVID pandemic, Lerner’s latest novel is surprisingly spare Ben Lerner’s first three novels, Leaving the Atocha Station (2011), 10:04 (2014) and The Topeka School (2019), charted the America of the 2010s, from a neurotic irony and post-ironic sincerity fermented in the Obama years to an earnest investigation of masculinity and rhetoric only really conceivable under Trump.
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The Yale Review | Julieta Caldas: “Ceremony”

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By Julieta Caldas
| The Yale Review
It was a dream of an Easter lunch A lamb walking up the aisle. It was a road without end And the backs of the seats play movies. Or something about a swimming pool full of rain– Didn’t we jump in once? Does anyone care? Barely, save me who barely remembers. But it’s true, he drove the truck thru the storm And picked me up. It was one limit case of the free-for-all To come across that and then sleep for a very long time. He invented boiled eggs for me. The cat was a tiny baby.
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