Is this you? As a journalist, you can create a free Muck Rack account to customize your profile, list your contact preferences, and upload a portfolio of your best work.
Claim your profile
Articles by Jussi Parikka
La superficie vegetal de la imagen
Ayuda Buscar en la ayuda Buscar en la ayuda
Escaneos sin marco: sobre unimágenes alrededor de 1753 y 2024
Ayuda Buscar en la ayuda Buscar en la ayuda Escaneos sin marco: sobre unimágenes alrededor de 1753 y 2024 Paolo Patelli [1] ; Jussi Parikka [2] [1] Aarhus University [2] Aarhus University. Academy of Performing Arts in Prague Localización: Artnodes: revista de arte, ciencia y tecnología, ISSN-e 1695-5951, Nº. 34, 2024 (Ejemplar dedicado a: Materiologia i variantologia: Invitació al diàleg), págs.
Qué es la arqueología de los medios, 10 años después
Qué es la arqueología de los medios, 10 años después [1] Aarhus University, Aarhus, Dinamarca Localización: Perspectivas de la comunicación, ISSN-e 0718-4867, Vol. 16, Nº. 1 (Enero-junio), 2023 Idioma: español Títulos paralelos: What is media archaeology, 10 years later Enlaces Texto completo Resumen Alrededor de 2012, una parte de mi investigación sobre la arqueología de los medios llegó a una conclusión temporal—el libro [en inglés] ¿Qué es la arqueología de los medios?
'McMindfulness': la nueva espiritualidad capitalista
En el ‘mindfulness’, las causas del sufrimiento están en nuestro interior, obviando en los marcos políticos y económicos que determinan la forma en que vivimos. En ‘McMindfulness’ (Alianza Editorial), Ronald E. Purser disecciona con profundidad los rasgos más problemáticos de esta disciplina espiritual. ¿QUIERES COLABORAR CON ETHIC?
Living Surfaces
An investigation of aesthetics and visualizations of planetary surfaces from an experimental media theory perspective. What if every vista, every island—indeed, every geographical feature on Earth—could be viewed as an art object? In Living Surfaces, Abelardo Gil-Fournier and Jussi Parikka explore how the surface of the Earth has, over the last two centuries, become known and perceived as an environment of images.
An ecoaesthetic of vegetal surfaces: on Seed, Image, Ground as soft montage
ABSTRACT Engaging with Harun Farocki’s notion of the soft montage, our visual essay builds on our recent Seed, Image, Ground video project (2020). Commissioned by the Fotomuseum Winterthur, the moving image piece addresses the surfaces of vegetal growth in relation to the surfaces of media such as screens and images. While the video is a central reference point for this visual essay, our aim is not so much to theorise our own moving images and their juxtapositions and rhythms.
FCJ-116 Media Ecologies and Imaginary Media: Transversal Expansions, Contractions, and Foldings
issue 17 2011: unnatural ecologies 1449-1443 Jussi Parikka Anglia Ruskin University Abstract: This article focuses on the transpositions of media and nature through recent art projects such as Harwood, Wright and Yokokoji’s Eco Media (Cross Talk) and Garnet Hertz’s Dead Media lab. The Eco Media project developed new modes of thinking media (ecology) through a tracking of the intensities of nature.
Manifold Scholarship
Welcome to Manifold. An Intuitive, collaborative, open-source platform for scholarly publishingWith iterative texts, powerful annotation tools, rich media support, and robust community dialogue, Manifold transforms scholarly publications into living digital works.Learn MoreSign Up
The Lab Imaginary: Speculative Practices In Situ
Log In with FacebookLog In with Google
they're an art form of their own
Computer viruses now have their own museum. The recently opened online Malware Museum exhibits samples of early viruses that often include amusing graphics or popular culture references. But the significance of viruses goes beyond funny curiosities from the 1980s and 1990s. The practice of creating viruses became an important subculture and part of new sorts of cultural activities, practices and interests. We too often think that all malware is by necessity just vandalism or criminal activity.
The Anthropocene has been shaped by the media and our digital lives
The Earth recently entered a new epoch – the Anthropocene. Since the dawn of modern mechanised industry and the use of fossil fuels, the story goes that human beings have become the dominant force for change in our atmosphere, seas and land. It is a compelling idea – and the Anthropocene has generated public interest as well as academic debate. For instance, academics still aren’t agreed on a start date for the epoch.
Show More
loading
Actions
Is this you?
As a journalist, you can create a free Muck Rack account to customize your profile, list your contact preferences, and upload a portfolio of your best work.Get in touch with Jussi
Contact Jussi, search articles and posts on X, monitor coverage, and track replies from one place.
Learn more about Muck Rack