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Kathryn Osenlund on Muck Rack

Kathryn Osenlund

Verified
  • Copy and Content Editor, Freelance
  • Committee Person, BDO Bensalem Democratic Organization
  • Theater Writer, Phindie
Bensalem
As seen in: Phindie, CurtainUp Magazine
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Articles

CLASS C (Azuka): Dystopia close at hand

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By Kathryn Osenlund Verified
| Phindie
Q: What’s the difference between ICE and the Gestapo? A: Trick question. There is no difference. Ciera Gardner and Amanda Schoonover. Photo by Joanna Austin. The play, Class C, is not about ICE in particular. ICE is not exactly the Gestapo, but as the leading steel toe of the regime’s hobnail boot, it’s close enough for government work.
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THE HYPOCHONDRIAC (Quintessence): The silliest possible nonsense

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By Kathryn Osenlund Verified
| Phindie
Hanna Gaffney (as Béline), Eleni Delopoulos (as Argan), PaulGuerin (as Bonnefoy). Photo by Linda Johnson Quintessence has a treat for you. Alexander Burns is at it again with his deft touch. The Hypochondriac is an adaptation of Moliere, who must have had a ball with his pretended piety and fooling around. The show opens with stately nonsense, a dance routine with colorful tops and shorts. Moliere wrote The Imaginary Invalid in 1673, producing a splendid comedic romp in unabashedly poor taste.
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ROMEO AND JULIET (Arden): Bounty as boundless as the sea

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By Kathryn Osenlund Verified
| Phindie
Gabe Moses (Romeo) and Francesca Santodomingo (Juliet) in Arden Theatre Company’s 2026 production of ROMEO AND JULIET. Photo by Ashley Smith, Wide Eyed Studios. The 9th of his 35 plays, Shakespeare’s Romeo and Juliet, written in 1595 and printed in 1596, is now on stage at the Arden Theatre Company. Director Amy L.
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